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“PLAY ONE”: A 70TH BIRTHDAY SALUTE TO THE BLACK STALIN  

   Caldwell Taylor 

The occasion of his seventieth birthday anniversary offers us all a very privileged moment to garland calypsonian Black Stalin’s bardic genius, which has educated and entertained us for well over a half a century. As educator (and Rastafarian) Stalin has trod a road blazed by a cohort of  rebels, including

 John Jacob Thomas, CP David, Edgar Maresse -Smith, Emmanuel
“Mzumbo “Lazare, Henry Sylvester-Williams, Canon Phillip Douglin,
CLR James
, George Padmore, Buzz Butler, Elma Francois, Claudia
Jones,Eric Williams, Patrick Solomon, “Growling Tiger”, “Attila
the Hun’,Patrick “Chinee” Jones.                                                   

 Note the prominence of the calypsonian among the rebels, and   note as well the fact that very many bards saw (and continue to see) the calypso form’s  first social responsibility as that of venting  the grievances of the street, the yard . Calypso has a stainless record of  fight; a sustained  fight that  should easy qualify the calypsonian to be named among Shelly’s “unacknowledged legislators of the world”. 

It was in the exercise of the bards’ self-imposed social duty that Possum, who followed his father, Ofuba, into calypso, mounted an 1860 protest before the Governor’s  mansion.  Just one year prior the famed Carib calypsonian, Surisima, rushed to a Port of  Spain hotel to lampoon William Moore, an American visitor to Trinidad, who in the course of a lecture on birds of the island offered the view that  the  calypso was a mere tropical expression  of the British and American ballad. 

 Moore you liar from America, Tell me way you know about calypso, sang  an irate Surisima and his vociferous la vway.  

 This incident occurred in the year 1859, exactly one hundred years before Leroy Calliste became “ Stalin”.  It was the Lord Blaikie (1932-2005), a self-named warlord, who turned Leroy Calliste into  the Mighty Stalin, and more than fifty later the matter is still heavy with intrigue: Why “Stalin” for a calypsonian ‘s sobriquet?   

Joseph Stalin (1878-1953), the Soviet leader from the 1930s until his March 1953 death, was in the late fifties  still widely esteemed in Trinidad and elsewhere in the English-speaking Caribbean: In the popular mind Joseph Stalin was seen as the “breaker “ of Hitler and warlord Lord  Blaikie was almost certainly to be numbered amongst the admirers of the man who broke the  Fuhrer’s  damnable Operation Barbarossa. Leroy Calliste became Stalin just five years following the death of the Russian helmsman: Blaikie would certainly have seen a “breaker” in the apprentice calypsonian. 

  STYLE 

I grow up in a God-fearing home and
I couldn’t go on stage, night after night,
and sing smut with my mother still alive”        

-Black Stalin

Black Stalin is always eager to talk about the “ bits and pieces” he had “soaked up” from  calypso  masters like “Tiger”, “Spoiler”,  “Unknown”,” “Kitchener “,” Sparrow”, “Melody”  et al.  Those  influences are noted and noted too is the fact that Stalin has stamped calypso with his own style and accents. Two of Stalin’s many gifts bear noting:  his  generosity, and his sense that literature is superior to history, something that keeps him in the company of Aristotle and Derek Walcott. Stalin’s estimate of the value of  literature is splashed over  songs like “Doctor Jit” and “ Tribute  to Sundar Popo”.  In the latter song Stalin says:  “In our music it ent have no race”. The 1995 Stalin-Sundar dance was a  conversation across  an abyss,  a triumph of  literature over history, and a critical intervention  in race relations in Trinidad and Tobago: it remains a most sacred moment in the story of modern Tand T. And wish it will ever be so. 

LIFE

Leroy Calliste (Stalin), who was born on September 24, 1941, made his calypso-singing debut in 1959. Before coming to the calypso stage  Calliste , who quit the Fernando Boys’ Roman School in 1957, worked as a tally clerk at the Point a Pierre docks: he also did a stint as a limbo dancer. But calypso was all the young man wanted to do and this he made clear In his very song, “Why I want to be a Calypsonian” .  He has succeeded in Spades and has been rewarded for his contributions.  

 Along the way Stalin claimed five Trinidad and Tobago calypso monarch crowns ( 1979, 1985, 1987, 1991, 1995); he won the  1999 Kind of Kings contest  and in 2008 the University of West Indies  conferred him  with an honorary  doctorate, Doctor of Letters.  

Permit me to return to Stalin’s generosity, something I sampled  back in 1979 when  as  Grenada’s  secretary for information and culture (deputy minister), I hosted    Stalin , Valentino, Gypsy,  Roy Cape.  The quartet had come to serenade the revolution. They did at their own expense!  Stalin was the unofficial leader of the group and what a leader  he was. My memories of those 1979 days shall forever remain raw:   Indeed, they are a fan’s puny down payment on the prodigious debt owed to  a cultural colossus. Play One! 

September 24, 2011

             

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